政策・メディア研究科 修士課程2年 浜本まり紗
- Research Theme -
Future Prospects of Dance in Japanese Universities
- Introduction -
I started out with a research project on the lives of freelance dancers in
Japan. Through my initial investigation interviewing many freelance dancers, I
came across many issues in the Japanese dance scene. I conjecture that Dance
(education, research, performance, etc.) in universities will play a paramount
role in resolving these issues and bringing the Japanese dance scene to a higher
level. From these premises and thoughts, I chose to look further into the state
and role of Dance in Japanese universities.
- Research Overview -
From long-standing traditional performing arts such as kabuki-buyo,
kamigata-mai, and noh, and folk dance (nenbutsu-odori, furyuu-odori, kagura,
etc.), to imported genres, such as ballet, modern dance, tap dance, social
dance, folk dance, Spanish dance, Indian dance, jazz dance, aerobic dance, and
disco dance, “Japan is truly an one of a kind treasure box of dance” (Kataoka,
2002).
Japan’s concert dance scene (aside from traditional and folk
dance), is generally classified into four categories: Classical Ballet, Modern
Dance, Buto, and Contemporary Dance (Japan Foundation, 2008). In this research
paper, the I will focus on Japan’s conert dance scene, and “Dance” will refer to
dance broadly in these four categories.
Though Dance in Japan, in all
four categories has gained prominent international recognition throughout the
last few decades and continues to advance and progress today, Japan’s dance
scene carries many internal issues, such as
1. Lack of
professionalism
2. Lack of interest among the general public
3.
Positioning of Dance in physical education and not art education
4. Minor
role of Dance in universities
etc.
In a generation in which technology
and telecommunications progressively monopolizes people’s lives in Japan, Dance
and Dance Education is expected to play an increasing important role in Japanese
society in the coming years.
The author hypothesizes that Dance (dance
education, dance research, etc.) in Japanese universities will play a crucial
role in both reforming Japan’s dance scene and making Dance more accessible in
mass society. Howerver, research on university Dance programs and the state of
Dance in Japanese universities is limited. From research so far and from
personal observations, the number of university Dance programs is limited, and
is in need of reform in general.
The objective of this Masters thesis is
to survey the current state and future prospects of Dance (dance education,
dance theory, dance research, etc.) in Japanese universities, and propose a
future/potential model for the Dance in Japanese universities.
I will
look at Dance in Japanese universities in three separate categories:
1.
Long-Established Dance Programs (Japan Women’s College of Physical Education,
Ochanomizu University, Nihon University, Osaka University for the Arts, Tsukuba
University)
2. Newly Established Dance & Bodily/Performing Arts
Programs (Tamagawa University, J. F. Oberlin University, Kobe College, Kyoto
University of Art and Design, Tokyo University of the Arts)
3. Dance in
Traditionally “Top Tier” Academic Research Universities (Keio University, Waseda
University, Tokyo University)
Data collection of each of the universities
above will consist of
1. General Information and Overview {School Type
(Junior, 4-Year, Grad), Gender-Type (Women’s, Co-ed), Private/National, Student
Body Size, School Mission, School History, Tuition, Scholarships/Financial Aid,
Admissions Statistics, Application/Audition Process, Program Name, Program
Position, Number of Students, Age-Range, Male-Female Ratio, Overseas Students,
Accreditation, Program Description, Program Mission, Program History, Program
Curriculum and Courses, Graduation Requirements, Sample Student Schedules,
Performance Opportunities, Student Choreography Opportunities, Research
Opportunities, Management/Production Opportunities, Study-Abroad Opportunities,
Exposure to Professionalism, Outreach Opportunities, Opportunities During
Breaks, Freedom, Kobe Dance Competition Participation, Qualifications/Licences,
Level of Students, Current Faculty (Full-Time, Part-Time), Past Faculty, Faculty
Profiles, Faculty Research, Faculty Activities, Facilities and Environment,
Class Size and Individual Attention, Life After Graduation, Alumni Profiles,
Notable Alumni, etc.}
2. Issues and Obstacles
3. Future
Plans
This paper will serve significant to Japanese education, the
Japanese dance scene, and overseas arts-related organizations and
institutions.